Acting Tips. Choosing a Monologue
Where
do you find useable monologues? The most obvious and often over-looked place to
find audition monologues is directly from the original source. Plays. If
you read all the plays you can get your hands on you'll be surprised how many
potential monologues you'll come across. There are thousands of published plays
with monologues that are virtually unused in auditions. To
get started, all you need to do is choose one playwright you admire. Get a copy
of all the published plays and start reading. Set some goals for yourself, read
a play every week or every month. As long as you are consistently reading plays,
you'll come across plenty of audition monologues you can use. You'll also become
a better, well-educated actor by familiarising yourself with the profession you
want to pursue. Choose
a monologue that is "active" -- one that actively engages the other
character. Inactive monologues are less engaging than active, they're more like
speeches that simply recount a story. OK,
you found a monologue with a character around your age and one that you can relate
to. Make sure you have read the entire play so you can properly grasp the surrounding
circumstances and background of the monologue. If you feel freaked by auditions
use this incredible book Here
are some fabulous monologues for women you'll find invaluable One
on One: The Best Women's Monologues for the Nineties (Applause Acting Series)
Over 75 monologues for women from the contemporary stage, written by such dramatists
as David Mamet, Paul Rudnick, Brian Friel, Steve Tesich, Harold Pinter, David
Lodge, Alan Ayckbourn, Timberlake Wertenbaker, Neil Simon, John Patrick Shanley,
Jane Anderson, Elizabeth Swados, Herb Gardner, Ariel Dorfman, Craig Lucas
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